In the Name of the Family - as Blood and Beauty did before - holds up a mirror to a turbulent moment of history, sweeping aside the myths to bring alive the real Borgia family: complicated, brutal, passionate and glorious. Here is a thrilling exploration of the House of Borgia's doomed years, in the company of a young diplomat named Niccolo Machiavelli.

Rodrigo Borgia picks up his papal skirts and walks out on to the public balcony.Sixty-one years old. How many years does he have in front of him? By his age, four of the five popes he had served were already rotting in their tombs. Sixty-one. Three sons, a ripening daughter and a sublime young mistress, ready to drop more fruit.Borgia blood. Thick with ambition and determination. How long does he need? Give him another ten - no, fifteen - summers and he will have the bull crest emblazoned over half of Italy.

England’s greatest royal dynasty, the Plantagenets, ruled over England through eight generations of kings. Their remarkable reign saw England emerge from the Dark Ages to become a highly organised kingdom that spanned a vast expanse of Europe. Plantagenet rule saw the establishment of laws and creation of artworks, monuments and tombs which survive to this day, and continue to speak of their sophistication, brutality and secrets. Dan Jones brings you a new vision of this battle-scarred history.

The Borgia family have become a byword for evil. Corruption, incest, ruthless megalomania, avarice, and vicious cruelty - all have been associated with their name. And yet, paradoxically, this family lived when the Renaissance was coming into its full flowering in Italy. Examples of infamy flourished alongside some of the finest art produced in western history.           

 Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction. 

From the preaching of the First Crusade by Pope Urban II in 1095 to the loss of the last crusader outpost in the Levant in 1302-03, and from the taking of Jerusalem from the Fatimids in 1099 to the fall of Acre to the Mamluks in 1291, Crusaders tells a tale soaked in Islamic, Christian and Jewish blood, peopled by extraordinary characters, and characterised by both low ambition and high principle. 

Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths; it is the prize of empires, the site of Judgement Day, and the battlefield of today's clash of civilizations. From King David to Barack Obama, from the birth of Judaism, Christianity, and Islam to the Israel-Palestine conflict, this is the epic history of 3,000 years of faith, slaughter, fanaticism, and coexistence. How did this small, remote town become the Holy City, the 'centre of the world' and now the key to peace in the Middle East?

In the 6th century AD, the Near East was divided between two venerable empires: the Persian and the Roman. A hundred years on and one had vanished forever, while the other seemed almost finished. Ruling in their place were the Arabs: an upheaval so profound that it spelt, in effect, the end of the ancient world. In The Shadow of the Sword, Tom Holland explores how this came about.

The Peasants’ Revolt of 1381 is one of the most dramatic and bloody events in English history. Starting with village riots in the Essex countryside, chaos rapidly spread across much of the southeast of England, as tens of thousands of ordinary men and women marched in fury to London, torching houses, slaughtering their social superiors and terrifying the life out of those who got in their way. The burning down of Savoy Palace, home to the most powerful magnate in the realm, marked one of the Revolt’s most violent episodes. 

Alessandra is not quite fifteen when her prosperous father brings a young painter back from Holland to adorn the new family chapel. Fascinated by his ability she is lured into closer involvement. On the streets of Florence she observes a terrible evil stalking the city and a fiery priest, who has set out to rid the city of vice, even art itself.