All his life, for almost as far back as he could remember, Victor had had a phobia. In prison, inevitably, he reflected on the grotesque way it had begun, about the panics and violent anger. He asked himself, too, why the child of happily married, middle-class parents should have needed to make motiveless and unreasoning attacks on women. Holed up in that house with the girl, he had not meant to pull the trigger. It was panic.

Wexford had every reason to remember the Painter case - it was the first murder he'd ever handled on his own. There had been no doubts about the case, until now. Someone wants the case reopened, and they want Wexford proved wrong.

The first girl had a bite mark on her neck, but they traced the DNA to her boyfriend. But the tabloids got hold of the story and called the killer 'The Rottweiler' and the name stuck. The latest murder takes place very near Inez Ferry's antique shop in Marylebone. When the Rottweiler’s trinkets start showing up in the shop, suddenly, everyone Inez knows is a suspect, and the killer feels all too close.

When Meredith Mitchell agreed to stay with her actress cousin, Eve, in the run up to Eve's daughter's wedding, she anticipated a degree of drama. But she can hardly have expected it to include murder, blackmail, and unrequited love. Or to involve a certain Chief Inspector Markby, a middle aged divorcee.

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.