The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. His eighth appearance takes him to an artists' colony (based on a real one) in Scotland during the 1920s. Lord Peter Wimsey could imagine the artist stepping back, the stagger, the fall down to where the pointed rocks grinned like teeth.

It is 1936, and Lord Peter Wimsey has returned from his honeymoon to set up home with his cherished new wife, the novelist Harriet Vane. As they become part of fashionable London society, they encounter the glamorous socialite Rosamund Harwell and her wealthy impresario husband, Laurence. Unlike the Wimseys they are not in love - and all too soon, one of them is dead. A murder case that only Lord Peter Wimsey can solve.

Can Lord Peter Wimsey prove that Harriet Vane is not guilty of murder--or find the real poisoner in time to save her from the gallows? Impossible, it seems. The Crown's case is watertight. The police are adamant that the right person is on trial. The judge's summing up is also clear. Harriet Vane is guilty of the killing her lover. And Harriet Vane shall hang. But the jury disagrees.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. His second appearance is a thrilling quest to save his own brother - the Duke of Denver - from the hangman. The Duke of Denver, accused of murder, stands trial for his life in the House of Lords. Naturally, his brother Lord Peter Wimsey is investigating the crime - this is a family affair.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. His third appearance is a story of murder in a most respectable seaside resort. 'No sign of foul play,' says Dr Carr after the post-mortem on Agatha Dawson. The case is closed. But Lord Peter Wimsey is not satisfied . . .With no clues to work on, he begins his own investigation.

In A Presumption of Death, Jill Paton Walsh tells how World War II changed the lives of Peter, Harriet and their growing family. The story opens in 1940. Harriet Vane - now Lady Peter Wimsey - has taken her children to safety in the country. But the war has followed them: glamorous RAF pilots and even more glamorous land-girls scandalise the villagers; the blackout makes the nighttime lanes as sinister as the back alleys of London.

It was 1921 when Lord Peter Wimsey first encountered the Attenbury emeralds. The recovery of the magnificent gem in Lord Attenbury's most dazzling heirloom made headlines - and launched a shell-shocked young aristocrat on his career as a detective. Now it is 1951. A happily married Lord Peter has just shared the secrets of that mystery with his wife, the detective novelist Harriet Vane. Then the new young Lord Attenbury - grandson of Lord Peter's first client - seeks his help again, this time to prove who owns the gigantic emerald that Wimsey last saw in 1921.

The best of the golden age crime writers, praised by all the top modern writers in the field including P. D. James and Ruth Rendell, Dorothy L. Sayers created the immortal Lord Peter Wimsey. The 11th book featuring Lord Peter, set in a country church, is often named as the best detective story ever written. When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.

Lord Peter Wimsey bent down over General Fentiman and drew the Morning Post gently away from the gnarled old hands. Then, with a quick jerk, he lifted the quiet figure. It came up all of a piece, stiff as a wooden doll...But how did the general die? Who was the mysterious Mr X who fled when he was wanted for questioning? And which of the general's heirs, both members of the Bellona Club, is lying? 'I admire her novels ... she has great fertility of invention, ingenuity and a wonderful eye for detail' Ruth Rendell

When the fellows at an Oxford college appeal to Peter Wimsey to resolve a dispute, he and Harriet are happy to oblige. The dispute between the two passionate parties is evenly balanced, that is, until several of the fellows unexpectedly die. And the causes of death bear an uncanny resemblance to the murder methods in Peter's past cases - methods that Harriet has used in her novels.…

They plan to have a quiet country honeymoon. Then Lord Peter Wimsey and his bride, Harriet Vane, find the previous owner's body in the cellar. Set in a country village seething with secrets and snobbery, this is Dorothy L. Sayers' last full-length detective novel. Variously described as a love story with detective interruptions and a detective story with romantic interruptions, it lives up to both descriptions with style.

Ian Carmichael stars as Lord Peter Wimsey in these classic BBC radio dramatisations of Dorothy L Sayers' Golden Age crime novels. Gentleman detective Lord Peter Wimsey starred in a number of novels and short stories by Dorothy L Sayers. These full-cast adaptations - first broadcast on BBC radio between 1979 and 2010 - are cherished by crime aficionados worldwide. The stories featured are Murder Must Advertise, The Nine Tailors, Gaudy Night, and Busman's Honeymoon.

It was the body of a tall stout man. On his dead face, a handsome pair of gold pince-nez mocked death with grotesque elegance. The body wore nothing else.Lord Peter Wimsey knew immediately what the corpse was supposed to be. His problem was to find out whose body had found its way into Mr Alfred Thipps' Battersea bathroom.

All that was left of the garage was a heap of charred and smouldering beams. In the driving seat of the burnt-out car were the remains of a body.... An accident, said the police. An accident, said the widow. She had been warning her husband about the danger of the car for months. Murder, said the famous detective Lord Peter Wimsey - and proceeded to track down the killer.

Three young women share a London flat. The first is a coolly efficient secretary. The second is an artist. The third interrupts Hercule Poirot's breakfast, confessing that she is a murderer - and then promptly disappears. Slowly, Poirot learns of the rumors surrounding the mysterious third girl, her family, and her disappearance. Yet hard evidence is needed before the great detective can pronounce her guilty, innocent, or insane.