Fifty Grand

Colonial New Guinea, 1906: A small group of mostly German nudists lives an extreme back-to-nature existence on the remote island of Kabakon. Eating only coconuts and bananas, they purport to worship the sun. One of their members, Max Lutzow, has recently died, allegedly from malaria. But an autopsy on his body in the nearby capital of Herbertshöhe raises suspicions about foul play.

Alexander Lawson is a former detective for Northern Ireland's police force. After a disastrous six-month stint in the drug squad, he became addicted to heroin and resigned in disgrace. Now 24, sickly, and on the dole, Alex learns that his high-school love, Victoria Patawasti, has been murdered in America. Victoria's wealthy family sends Alex to Colorado to investigate the case, and he seizes the opportunity for a chance at redemption.

Richard Coulter is a man who has everything. His beautiful new wife is pregnant, his upstart airline is undercutting the competition and moving from strength to strength, his diversification into the casino business in Macau has been successful, and his fabulous Art Deco house on an Irish cliff top has just been featured in Architectural Digest. But then, for some reason, his ex-wife Rachel doesn’t keep her side of the custody agreement and vanishes off the face of the earth with Richard’s two daughters. Richard hires Killian, a formidable ex-enforcer for the IRA, to track her down before Rachel, a recovering drug addict, harms herself or the girls.

Adrian McKinty was born in Carrickfergus, Northern Ireland. He studied politics and philosophy at Oxford before moving to America in the early 1990s. Living first in Harlem, he found employment as a construction worker, barman, and bookstore clerk. In 2000 he moved to Denver to become a high school English teacher and it was there that he began writing fiction.

In this exciting sequel to the acclaimed Dead I Well May Be, the mercenary Michael Forsythe is forced to infiltrate an Irish terrorist cell, confronting murder, mayhem, and the prospect of his own execution.