A prophetic and experimental masterpiece by J. G. Ballard, the acclaimed author of ‘Crash’ and ‘Super-Cannes’. This edition features explanatory notes from the author. The irrational, all-pervading violence of the modern world is the subject of this extraordinary tour de force. The central character’s dreams are haunted by images of John F. Kennedy and Marilyn Monroe, dead astronauts and car-crash victims as he traverses the screaming wastes of nervous breakdown.

The definitive cult, post-modern novel - a shocking blend of violence, transgression and eroticism. When our narrator smashes his car into another and watches a man die in front of him, his sense of sexual possibilities in the world around him becomes detached. As he begins an affair with the dead man's wife, he finds himself drawn, with increasing intensity, to the mangled impacts of car crashes.

Twenty years ago, it was as if someone turned on a light. The future blazed into existence with each deliberate word that William Gibson laid down. The winner of Hugo, Nebula, and Philip K. Dick Awards, Neuromancer didn't just explode onto the science fiction scene - it permeated into the collective consciousness, culture, science, and technology.Today, there is only one science fiction masterpiece to thank for the term "cyberpunk," for easing the way into the information age and Internet society.

Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a "full empty", something goes wrong.

What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.

Ben and Marian Rolfe are desperate to escape a stifling summer in their tiny Brooklyn apartment, so when they get the chance to rent a mansion in upstate New York for the entire summer for only $900, it's an offer that's too good to refuse. There's only one catch: behind a strange and intricately carved door in a distant wing of the house lives elderly Mrs. Allardyce, and the Rolfes will be responsible for preparing her meals. But Mrs. Allardyce never seems to emerge from her room, and it soon becomes clear that something weird and terrifying is happening in the house.

Ghosts and spectres, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean? 

The Body Artist begins with normality: breakfast between a married couple, Lauren and Rey, in their ramshackle rented house on the New England coast. Recording their delicate, intimate, half-complete thoughts and words, Don DeLillo proves himself a stunningly unsentimental observer of our idiosyncratic relationships. But after breakfast, Rey makes a decision that leaves Lauren utterly alone, or seems to.

Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his black skin that attracts the eye of wealthy white folks and their trained cops. But when he delivers an occult page to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic.

In this ingeniously comic work, Chuck Palahniuk’s first novel in four years, he does what he does best: skewer the absurdities in our society. Smug, geriatric politicians hatch a nasty fate for the burgeoning population of young males, working-class men dream of burying the elites and professors propound theories that offer students only the bleakest future. When it arrives, Adjustment Day inaugurates a new Disunited States of America.