Atomic Renaissance
Women Mystery Writers of the 1940s and 1950s
Nie udało się dodać produktów
Nie udało się dodać tytułu do koszyka.
Nie udało się dodać tytułu do schowka.
„Usuń ze schowka“ nie powiodło się.
„Obserwuj podcast“ nie powiodło się
„Przestań obserwować podcast“ nie powiodło się
Wypróbuj Audible Standard bezpłatnie przez 30 dni
Kup za 10,54 €
-
Czyta:
-
Pauline Caputi
-
Autor:
-
Jeffrey Marks
America in the 1950s was a place of Eisenhower, the Korean Conflict, McCarthy, and Sputnik. Women found themselves trapped into a mold of Donna Reed and June Cleaver, marginalized by the hyper-masculinity of the age. Mystery fiction had become a male bastion as well, promoting hardboiled private eye novels and spy fiction. It would be another three decades before groups to promote equality between the sexes in mystery fiction appeared.
Yet during that post-World War II era, seven women carved out a place in the genre. These women became the bestsellers of their time by innovation and experimentation. Margaret Millar, Patricia Highsmith, Leslie Ford, Charlotte Armstrong, Dorothy B. Hughes, Mignon Eberhart, and Phoebe Atwood Taylor are in no way similar to each other in style, theme, or subject matter. However, their writings created an Atomic Renaissance that continues to impact the mystery field today.
©2003 Jeffrey Marks (P)2014 Jeffrey Marks