A human diplomat creates an interstellar incident when he kills an alien diplomat in a most unusual way. To avoid war, Earth's government must find an equally unusual object: A type of sheep ("The Android's Dream"), used in the alien race's coronation ceremony. To find the sheep, the government turns to Harry Creek, ex-cop, war hero and hacker extraordinaire.

Hilketa is a frenetic and violent pastime where players attack each other with swords and hammers. The main goal of the game: obtain your opponent's head and carry it through the goalposts. With flesh and bone bodies, a sport like this would be impossible. But all the players are "threeps", robot-like bodies controlled by people with Haden's Syndrome, so anything goes. No one gets hurt, but the brutality is real, and the crowds love it. Until a star athlete drops dead on the playing field.

When COVID-19 sweeps through New York City, Jamie Gray is stuck as a dead-end driver for food-delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization”. Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on. What Tom doesn't tell Jamie is that the animals his team cares for are not here on Earth. Not our Earth, at at least. In an alternate dimension, dinosaur-like creatures named Kaiju roam a warm and human-free world.

Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever, and headaches. But for the unlucky one percent - and nearly five million souls in the United States alone - the disease causes "Lock In": Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge.

Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. Life couldn’t be better…until Andrew begins to pick up on the facts that (1) every Away Mission involves some kind of lethal confrontation with alien forces; (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations; and (3) at least one low-ranked crew member is, sadly, always killed.

In John Scalzi's re-imagining of H. Beam Piper's 1962 sci-fi classic Little Fuzzy, written with the full cooperation of the Piper Estate, Jack Holloway works alone for reasons he doesnt care to talk about. Hundreds of miles from ZaraCorps headquarters on planet, 178 light-years from the corporations headquarters on Earth, Jack is content as an independent contractor, prospecting and surveying at his own pace. As for his past, thats not up for discussion.

The galaxy is doomed. Monkeys may be clever and too stubborn to give up, but Skippy The Idiot Who Got Played knows the harsh truth: this is a fight he can’t win. The odds are not only stacked against him, he was designed not to win this fight. Maybe he can salvage some faint memory of the civilizations that inhabit the galaxy, but those beings are doomed. Doomed. Including the Merry Band of Pirates.

The collapse of The Flow, the interstellar pathway between the planets of the Interdependency, has accelerated. Entire star systems - and billions of people - are becoming cut off from the rest of human civilization. This collapse was foretold through scientific prediction...and yet, even as the evidence is obvious and insurmountable, many still try to rationalize, delay and profit from, these final days of one of the greatest empires humanity has ever known.

The world has changed. Now, when someone is murdered, they almost always come back to life—and there are professionals, called “dispatchers”, who kill in order to save lives, to give those near the end a second chance. Tony Valdez is a dispatcher, and he has never been busier. But for as much as the world has changed, some things have stayed the same. Greed, corruption, and avarice are still in full swing. 

Our universe is ruled by physics, and faster-than-light travel is not possible - until the discovery of The Flow, an extradimensional field we can access at certain points in space-time that transports us to other worlds, around other stars. Humanity flows away from Earth, into space, and in time forgets our home world and creates a new empire, the Interdependency, whose ethos requires that no one human outpost can survive without the others. It's a hedge against interstellar war - and a system of control for the rulers of the empire.

It's just another day of high school for Zack Lightman. He's daydreaming through another boring math class, with just one more month to go until graduation and freedom - if he can make it that long without getting suspended again. Then he glances out his classroom window and spots the flying saucer.

John Perry was living peacefully on one of humanity's colonies - until he and his wife were offered an opportunity these ex-supersoldiers couldn't resist. To come out of retirement and lead a new frontier world. However, once on the planet, they discover they've been betrayed. For this colony is a pawn in an interstellar game of war and diplomacy. Humanity's Colonial Union has pitched itself against a new, seemingly unstoppable alien alliance dedicated to ending all human colonization.

It's the year 2044, and the real world has become an ugly place.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

In High Earth, digital entertainment is everything. Shows. Virtual worlds. Simulations - there’s something for everybody in a city where working for a living has been rendered obsolete by technological advancements. Even a short walk outside to visit with others is no longer necessary. Just load into the network and you can be with anyone, anywhere. For Asher Reinhart, nothing compares to Ignis; a live reality show that pushes human beings to their very extremes.