The Safekeep
Winner of the Women’s Prize for Fiction 2025
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Narrated by:
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Saskia Maarleveld
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Stina Nielsen
Brought to you by Penguin.
WINNER OF THE WOMEN'S PRIZE 2025
SHORTLISTED FOR THE BOOKER PRIZE 2024
SHORTLISTED FOR THE DYLAN THOMAS PRIZE 2025
LONGLISTED FOR THE WINGATE PRIZE 2025
An exhilarating tale of twisted desire, histories and homes, and the unexpected shape of revenge - for readers of Patricia Highsmith, Sarah Waters and Ian McEwan's Atonement.
It is fifteen years after the Second World War, and Isabel has built herself a solitary life of discipline and strict routine in her late mother's country home, with not a fork or a word out of place. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep - as a guest, there to stay for the season…
In the sweltering heat of summer, Isabel's desperate need for control reaches boiling point. What happens between the two women leads to a revelation which threatens to unravel all she has ever known.
'A thrilling, razor-sharp, perfectly plotted debut novel' Sunday Times
'Moving, unnerving and deeply sexy' Tracy Chevalier, bestselling author of GIRL WITH A PEARL EARRING
'A brave and thrilling debut about facing up to the truth of history, and to one's own desires… Van der Wouden brings stunning power and control to her page-turner about trauma and repression' Justine Jordan, Booker Prize Judge 2024
©2024 Yael van der Wouden (P)2024 Penguin Audio
Critics' reviews
weeklong hangover from this book
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One didn’t know until the end quite where this was going and how it would be resolved. The prose was gorgeous and the half-finished thoughts and sentences place you intimately close to the characters, as well as in the presence of the house - which had its own brooding character. It gave so much food for thought on the topics of home, belonging, identity and memory, as well as the redeeming power of love.
I listened to the audiobook version which was wonderfully done.
A lush, sensuous book with incredible character development
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The performance, however, is somehow not great. Two readers wouldn't be a problem, but they often lack the means to convey the tone of certain lines, while the narrative often sounds airy and rushed. It should have been absolutely crucial to use various colourful voices and tones for (at least) one of the main characters and they just missed the opportunity. There were a few times, however, when the performers could actually deliver loaded conversations, it was just not consistently high quality. I prefer to read this novel.
Painfully beautiful novel with mediocre narration
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Guilt in history
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