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What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena?

Across the centuries, we journey from the great empires of Mesopotamia to those of Khmer and Vijayanagara in Asia and Songhai in West Africa; from Byzantium to the Maya, Inca and Aztecs of Central America; from Roman Britain to Rapa Nui. With meticulous research, breathtaking insight and dazzling, empathic storytelling, historian and novelist Paul Cooper evokes the majesty and jeopardy of these ancient civilizations, and asks what it might have felt like for a person alive at the time to witness the end of their world.

The legend of the foundation of Rome by Romulus in 753BC accords very well with the earliest defensive walls on the Palatine Hill, made of clay and timber and showing evidence of animal sacrifices. To trace the continual efforts to fortify Rome is to trace the rise and fall of the Roman Empire - through the taking of the city by the Gauls in 390/387, the wars with the Italian states, the threat of Hannibal, the establishment of the Republic, attacks by the northern tribes and eventual division and collapse.

As emperor, Julian set about reforming the administration, conquering new territories, and reviving ancient religions. He was scorned in his time for repudiating Christianity and demonized as an apostate for willfully rejecting Christ. Through the centuries, Julian has been viewed by many as a tragic figure who sought to save Rome from its enemies and the corrupting influence of Christianity. Christian writers and historians have seen Julian much differently: as a traitor to God and violent oppressor of Christians.

War can settle disputes, topple tyrants, and bend the trajectory of civilization—sometimes to the breaking point. From Troy to Hiroshima, moments when war has ended in utter annihilation have reverberated through the centuries, signaling the end of political systems, cultures, and epochs. Though much has changed over the millennia, human nature remains the same. In The End of Everything, military historian Victor Davis Hanson narrates a series of sieges and sackings that span the age of antiquity to the conquest of the New World to show how societies descend into barbarism and obliteration.

A concise, star-studded retelling of Italy's past, from Caesar and Augustus to da Vinci and Michelangelo, tracing the story of a country with prodigious global influence—from a foremost author of historic Italy.

When Gareth Harney was first handed a Roman coin by his father as a child, he became entranced: by its beauty, its hardiness and its power to tell stories and connect us with the ancient past. He realised that coins, more than being simply markers of exchange, are metal canvases upon which societies could immortalise their ideas, cultures, personalities, tragedies and triumphs. His small tarnished coin, then, actually told the epic story of Rome.

In Between Two Rivers, historian Dr Moudhy Al-Rashid brings us closer to the lives of the ancient people from the land between two rivers. Through the clay tablets left behind, Al-Rashid explores the foundations of extraordinary societies and empires, from the Sumerians to the Babylonians.

Covering the whole of the ancient Greek experience from its beginnings late in the third millennium BCE to the Roman conquest in 30 BCE, Out of One, Many is an accessible and lively introduction to the Greeks and their ways of living and thinking. In this fresh and witty exploration of the thought, culture, society, and history of the Greeks, Jennifer Roberts traces not only the common values that united them across the seas and the centuries, but also the enormous diversity in their ideas and beliefs.

Immediate, visceral, and full of new analyses that defy decades of conventional wisdom, The First Clash is a superb interpretation of a conflict that indeed made the world safe for Aristotle, Plato, and our own modern democracy. But it was also a battle whose legacy and lessons have often been misunderstood—perhaps, now more than ever, at our own peril.

Imagine a Viking, and a certain image springs to mind: a nameless, faceless warrior, leaping ashore from a longboat, and ready to terrorise the hapless local population of a northern European country. Yet while such characters define the Viking Age today, they were in the minority. This is the history of all the other people - children, enslaved people, seers, artisans, travellers, writers - who inhabited the medieval Nordic world. For the first time, you can immerse yourself in the day-to-day lives of extraordinary culture which spanned centuries.

Bad Girls of Ancient Greece contains profiles of wayward wives, mad mothers, scandalous sisters and damsels, that quite frankly, caused others A LOT of stress in the ancient world. With the ever-growing popularity of mythological retellings, Lizzy Tiffin has written THE guide to all of the baddies of ancient Greece. This book stands as a reminder that us women really have been badasses since the start.

The study of ancient Greek history has been central to the western conception of history since the Renaissance. The Muse of History traces the shifting patterns of this preoccupation in the last three centuries, in which each generation has reinterpreted the Greeks in the light of their contemporary world, through times of revolution, conflicting ideologies and warfare. It aims to offer a new history of Greek historiography from the Enlightenment to the present, and to acknowledge the continuing spiritual importance of the ancient Greeks for European culture.

For centuries, men have been writing histories of antiquity filled with warlords, emperors and kings. But when it comes to incorporating women aside from Cleopatra and Boudica, writers have been more comfortable describing mythical heroines than real ones. While Penelope and Helen of Troy live on in the imagination, their real-life counterparts have been relegated to the margins. In The Missing Thread, Daisy Dunn inverts this tradition and puts the women of history at the centre of the narrative.

Cleopatra: lover, seductress, and Egypt's greatest queen. A woman more myth than history, immortalized in poetry, drama, music, art, and film. She captivated Julius Caesar and Marc Antony, the two greatest Romans of the day, and died in a blaze of glory, with an asp clasped to her breast - or so the legend tells us. But the real-life story of the historical Cleopatra VII is even more compelling. She was the last of seven Cleopatras who ruled Egypt before it was subsumed into the Roman Empire. These extraordinary women keep a close grip on power in the wealthiest country of the ancient world.

Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

By 330 B.C.E., Alexander the Great had reached the pinnacle of success. Or so it seemed. He had defeated the Persian ruler Darius III and seized the capital city of Persepolis. His exhausted and traumatized soldiers were ready to return home to Macedonia. Yet Alexander had other plans. He was determined to continue heading east to Afghanistan in search of his ultimate goal: to reach the end of the world.