Die hilfreichsten Kundenrezensionen auf Amazon.com
4,1 von 5 Sternen
2,0 von 5 SternenSuper disappointing
24. November 2017 - Veröffentlicht auf Amazon.com
I was wary about picking this one up because two reviewers I almost always agree with, Heather and Khanh, both gave this a pretty negative review. Also, it's steampunk and YA - two genres I often have issues with. Paired together? It seemed like too much. But THEN I found out that this was a Phantom of the Opera retelling and I was like, "Dude, I love that shiz."
But did I really love that shiz? After all, I think we all remember what happened when I tried to read ROSEBLOOD.
OF METAL AND WISHES has a pretty cool concept. It's set in this industrial universe, chopped up into districts that serve out various functions. Wen, the main character, is the daughter of the doctor/surgeon who works inside a slaughterhouse.
The workers are a different race than Wen's people, called "the Noor" and are dehumanized, called animals and barbarians by the people in the more prestigious roles. But Wen quickly finds sympathy with them because one of them, Melik, is hawt. He's not the "phantom," though. That role belongs to a mysterious figure called "Ghost" who haunts the slaughterhouse, answering the wishes of those who leave offerings at his shrine. Ghost allegedly died in a factory accident years ago, and while some laugh off those claims, mysterious things happen in the factory. Dangerous things. Deadly things.
I'm still laughing about The Phantom of the Slaughterhouse. I'm trying to decide if that's better or worse than The Phantom of the Rave. Probably worse, because neon lights and strobes can be pretty freaky, but it's hard to take a phantom seriously when he's trying to push his way through a bunch of swinging meat carcasses while still trying to look intimidating (note: this did not actually happen, but oh man, it would have been hilarious if it did - like Adam Levine in Animals).
OF METAL AND WISHES tries to tackle racism and rape culture but it fails at both because of some really bad mixed messages. Wen has all kinds of bad things to say about women who sell their bodies, and the men who take them up on that offer, but from her position of privilege it comes off as incredibly insensitive. Especially when she is put into that position later, multiple times (virtually all the men in this book are creeps). She holds herself to a different standard because she is "pure": as if being virginal somehow makes you less deserving of abuse and sexual harassment, which is an absolutely terrible mindset to have.
The racism, likewise, also feels very awkward. Wen comes across as very superior and sanctimonious, and when she feels betrayed by Melik, she's quick to resort to her old, racist beliefs as a means of channeling her rage. Which is realistic in a sense - people often show their true, racist colors when they're angry. But it just seemed to underscore the fact that Wen saw Melik - and the Noor - as being beneath her, and I never really got a sense that she had changed much as a person, even at the end of the book. She was still selfish and awful and judgemental.
Perhaps that could have been forgivable if the story had been better, but it wasn't. The pacing was very slow. The world-building was original, and reminded me of the grim, caste-segregated steampunk stories that Paolo Bacigalupi is well-known for, but Sarah Fine did not flesh out the world enough, and it felt more like a backdrop than a well-developed world. What a shame that was, because a dark and dangerous factory and creepy mechanical spiders could have served as the setting for a modern day Jungle, a la Sinclair Lewis. But this ended up feeling like yet another cliche, wallpaper YA forbidden love story masquerading as a dystopian.
5,0 von 5 SternenOne of my favorite books this year
5. August 2014 - Veröffentlicht auf Amazon.com
Format: Gebundene AusgabeVerifizierter Kauf
As soon as I finished reading chapter one, I just knew I was going to love this book. The eerie setting gave me a feeling similar to what I get when I look at photos of old buildings and factories. Wonder and awe. I felt this way not only with the setting but the entire story. It wasn't at all a surprise though because Of Metal and Wishes is the fourth novel I've read by Sarah Fine and her stories are some of my absolute favorites.
Of Metal and Wishes revolved around Wen, a sixteen-year-old girl trying to adjust to living with her doctor father at the local slaughterhouse Gochan One. Although she was friendly with many workers at the factory, it didn't stop the loneliness and sadness that consumed her ever since the death of her mother. Her responsibilities as her father's assistant kept her busy and were a comforting distraction, but life at Gochan One became complicated and dangerous for Wen once the barbaric Noor were hired to work there and she challenged the ghost haunting the factory.
While Wen seemed unsure of herself and what she wanted in the beginning, there was a quiet fierceness to her that was hard to miss. Her compassion and bravery were traits I really admired about her. When most of her people treated the Noor horribly, she took care of the Noor and stood up for them. Sometimes she made mistakes or acted impulsively, but she always tried to do the right thing and didn't allow others to influence her decisions. She went through a lot in this book and grew immensely, and I found her to be such a great and relatable character.
The Noor, specifically their leader Melik, had quite an impact on Wen. To most of Wen's people, the Noor are considered lower than dirt. Wen was quick to judge them too, but she eventually saw how wrong she was. Melik was honorable, hardworking, and treated his people with respect, which fascinated Wen because it didn't match what she had been told about the Noor at all. Melik had me swooning with his words, his actions, and the attention he gave Wen. I loved their tentative romance and how comfortable and protective they were of each other. What they shared was sweet and slow-burning, and I was always so happy when they had moments alone together. Being around Melik and the other Noor really helped Wen to see the world in a different way.
The mysterious Ghost was another important part of Wen's journey. He brought life to the factory, granting wishes to the workers and making Wen feel less alone. However, he also brought fear and death, and I didn't know whether or not to trust him. His obsession with Wen was a curse, but I admit, in a way, it was a blessing for her as well. If it weren't him, Wen wouldn't have gone through all the guilt that she did, but without him, she wouldn't have survived many of the things she experienced. I guess that's why I found myself sympathizing with him. He did some pretty horrible things in the factory, yet I thought he proved that redemption was possible. It even made me wish things had ended differently for him all those years ago, and I know Wen felt the same way.
I really liked that Of Metal and Wishes showed the importance of kindness, trust, friendship, and love. For Wen and those she cared about, the final chapters of the book were a bit heartbreaking and bittersweet. But it was also full of hope, which made it a fitting end to the story. With its beautiful and fluid writing and characters that were remarkable and inspiring, Of Metal and Wishes easily became one of my favorite books this year. I can't recommend it enough, and I can't wait to read the sequel!
I loved this book, a lot. The Phantom of the Opera is one of my favorite novels ever, and this steampunk, sci-fi retelling is so well written and engrossing that I couldn't put it down. Wen, the heroine, is so much more interesting and resourceful than Christine Daae (honestly, who isn't?) and the Ghost, not being as awesome as Erik, is still a great character. A magician with metal, the world that he has created is the coolest nightmare you'll ever have. The setting - a slaughterhouse - is definitely not as beautiful as an opera theater (the most wonderful opera theater ever designed, IMHO) and I had to skip some passages due to animal cruelty. The human-on-human cruelty is also pretty gruesome, but the heart of the story remains the same - a deformed genius falling in love with a pretty girl. This ghost will be haunting me for years to come!
This book put a new, very creative and interesting spin on the classic story of The Phantom of the Opera! It took a little while for me to fully get into the story, but once I did, I was fully enthralled by Wen, Melik, and all they went through together and with those around them.
4,0 von 5 SternenThis book is beautiful and original
11. August 2015 - Veröffentlicht auf Amazon.com
This book is beautiful and original. The last 150 pages especially were stunning. The Phantom of the Opera is one of my favorite classics, and this is a great adaptation of it. Atmospheric, strong characterization, and beautiful writing. This is definitely a book to check out if you like gothic stories or steampunk.