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Fiction Writing Demystified Hörbuch

Fiction Writing Demystified: Techniques That Will Make You a More Successful Writer

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Inhaltsangabe

At last, a how-to book that explains the nuts-and-bolts of writing solid, entertaining, commercial fiction, written by someone who's been there. Practical, filled with examples and no-nonsense, take-'em-to-the-bank nuggets, Fiction Writing Demystified shows how the imperatives of effective storytelling translate readily to narrative fiction, genre or literary, screenwriting, even to nonfiction, poetry, sermons, or business documents - techniques that will make anyone's writing come alive!

Tom Sawyer knows about successful creative writing - and how to teach the subject, from UCLA to Writers University to the Maui Writers Conference.

Emmy and Edgar-nominated, Showrunner/Head Writer ofthe classic TV series, Murder, She Wrote, he authored the best-selling thrillers The Sixteenth Man, and No Place to Run. He is co-lyricist/co-author of JACK, the opera about JFK that has been performed to acclaim in the U.S. and Europe.

©2002, 2007 Thomas B. Sawyer (P)2012 Thomas B. Sawyer

Kritikerstimmen

"Where was this book when I set out to write my first novel? Smart, funny, dead-on accurate - buying this book is like putting a down-payment on a ticket to the best-seller list. (Linda Fairstein, best-selling novelist, author of The Bone Vault and The Deadhouse)

"Absolutely devoured your book! Pages folded back, underlinings, margin notes. A treasure trove, brother. Fabulous." (Jerry B. Jenkins, writer of the mega-selling Left Behind novels)

"Really wonderful. The most specific and helpful I've ever read - not only for the beginner but for the experienced writer." (Barnaby Conrad, best-selling author of the classic, Matador)

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    Raiko Magdeburg, Deutschland 30.05.2013
    Raiko Magdeburg, Deutschland 30.05.2013
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    Gesamt
    "He knows that he knows what he is doing."

    --Contents:---

    This book has some really helpful pointers from someone who knows and obviously loves what he is doing. I would be lieing if I said this book didn't help me overcome some obstacles in my writing because it gave me tools and pointers that I had not truly been aware of before.

    However, while Thomas B. Sawyer tries very hard not to be, he *is* a little arrogant and it shows, which costs him one star in the rating. Possibly, he has some reason to be - he is a successful writer and a published author, but it can be pretty annoying. A short while into the book, it becomes very apparent that Sawyer is mostly a suspense writer for TV series, who thinks in scenes, dialogues and crimes and is firmly rooted in the real world and in script writing. Writers of high fantasy novels, fiction for children, simple fantasy or historical novels will find themselves dissatisfied with what Thomas B. Sawyer has to offer or even disagree with him. He does claim relevance to all fields of fiction, and for parts of his book that is true, but he knows too little about some genres to consider the differences in writing required for them. This would be fine, if he didn't completely ignore his own shortcomings in that respect. For example, by Sawyer's standards, George R. R. Martin (Song of Ice and Fire/Game of Thrones) would have to be considered a mediocre writer at best.

    For more real-world rooted stuff, suspense and crime, the author does indeed have a good recipe, and it will make you a good handiman for the job. Do take him seriously on characters, dialogues, scenes and conflict, but keep in mind that he merely offers a standard recipe with a nice set of variables and that - in the end - it is your willingness to ignore Mr. Sawyer occassionally and to go out there and explore that can turn your solid novel into something special. You need to have the confidence to know where you do and don't care for his guidelines, no matter how he presents them to you (mostly as a recipe that you can differ from, but mostly shouldn't because he knows how it's done).

    However, I have yet to withdraw another star because I find the bashing of other people's work absolutely misplaced. Disguised as examples how *not* to do some things, Sawyer loses himself in his frustration with certain pieces of work, some inner workings of the movie industry and even entire forms of art that he just doesn't like or has no vein for. Something the author does not like is not, by definition, badly written or a bad idea. I found these rants needless and annoying.

    ((And for those who have listened to this already - I don't know about you, but I DO say "What the...?" in real life.))

    ---Audio version:---

    Jeffrey Thibeault's reading suits the book very well. I liked his young-sounding voice, reading pace and intonations, though some of this pronounciations threw me off at times.

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